《雾都孤儿》是英国作家查尔斯·狄更斯的著名代表作之一。波兰裔法国著名导演罗曼·波兰斯基在古稀之年对小说《雾都孤儿》进行了电影改编，并且大获成功。本文选取《雾都孤儿》小说及波兰斯基版的电影改编为研究对象，来探讨电影改编对小说的创造性叛逆。
第一章介绍了创造性叛逆理论，文学到电影的改编以及电影改编的研究标准。第二章对小说《雾都孤儿》和电影改编中的叙事进行研究。第三章对小说《雾都孤儿》和电影改编中的主题进行研究。第四章对小说《雾都孤儿》和电影改编中的情节进行研究。第五章对小说《雾都孤儿》和电影改编中的人物塑造及结局进行研究。
Oliver Twist, a masterpiece by world-renowned writer Charles Dickens, reflects the social reality of Britain and the principles of critical realism. By using profound reality, it has been adapted consistently by different filmwriters. Talented French Polish director Roman Polanski adapted the novel into a film in his later years, which became a hit. This thesis studies the adaptation of Oliver Twist by Polanski to discuss the phenomenon of creative treason arising from the adaptation of the novel into a cinematic form.
One starts to understand the concept of creative treason by examining the theory introduced in this chapter.
